2024 Spring Events
Susan Ravn: Kinesthetia 'in action'
Wednesday, April 5 at 5PM
Slippage Lab, Louis Hall
Kinesthesia ‘in action’: a critically loaded phenomenological approach for analyzing the dynamic qualities of movement
Dance scholars have acknowledged the ways in which qualitative dynamics of movement are recognized, felt, and valued differently depending upon the ideals, techniques, and traditions of the dance practice. In somatic practices such as the Alexander and Klein techniques, participants’ feelings of movement dynamic are configured in close alliance with interoceptive sensations and imaginary work. With these scholarly works as point of departures, Ravn argues that dancers’ and somatic practitioners’ ways of turning to and engaging feelings of movement’s dynamic facilitate phenomenological descriptions of how kinesthesia can be deployed in skilled practices. Ravn considers the sense in which dancers’ feeling of the dynamic qualities of movement or their feeling of movement’s flux is preconfigured in subtle ways due to enculturation, deliberate cultivation, and the specificities of practice. The possibility of a pre-reflective (non-reifying) performative-oriented mode of being aware of one’s body is discussed to account for how kinesthesia can be in use, and thereby ‘in action’, in specialized and skilled ways.
Sponsored by Slippage Lab.
Halifu Osumare
Guest Talk by Halifu Osumare
April 23 at TBD
Black Arts Consortium Conference Room, Downtown Campus
Fraught Balance: The Embodied Politics of Dabke Dance Music in Syria
Monday, May 6 at 12:30PM
Kresge Hall
Lunch will be served at this event. Dabke, one of Syria’s most beloved dance music traditions, is at the center of the country’s war and the social tensions that preceded conflict. Drawing on almost two decades of ethnographic, archival, and digital research, Shayna Silverstein shows how dabke dance music embodies the fraught dynamics of gender, class, ethnicity, and nationhood in an authoritarian state. Her book situates dabke politically, economically, and historically in a broader account of expressive culture in Syria’s recent (and ongoing) turmoil.
Shayna Silverstein is an assistant professor in the Department of Performance Studies and faculty member of the Middle Eastern and North African Studies program at Northwestern University. Her teaching and scholarship broadly examines the politics and aesthetics of sound, movement, and performance in contemporary SWANA/Middle Eastern cultural production.
Sponsored by Middle East and North African Studies Program. Part of MENA Mondays!
Amanda Reid
Guest Talk with Amanda Reid
May 7-8
More information coming soon!
2024 Winter Quarter Events
Vivir Sabroso: Choreographies of Living in the Colombian Pacific
Works-in-Progress Series Talk by Prof. Melissa Blanco Borelli
This talk engages with critical dance studies, performance studies and Black studies to think about how theatre, dance, and archival memory projects reflect Afro-Colombian political and poetic philosophies of the everyday.
January 31st at 12pm
Northwestern Library, Room 3266
Sponsored by the Black Arts Consortium
Complexions Contemporary Ballet
Performance Outing
Complexions at Auditorium Theatre
Saturday, February 3rd 7:30PM
If you would like a complimentary ticket, please email Michael (MichaelLandez2027@u.northwestern.edu) no later than Friday, January 26th
Chicago Dance Studies Working Group Session
Museum of Contemporary Art
Tuesday, February 6th 5:30PM
A stimulating discussion focused on Complexions Contemporary Ballet and Desmond Richardson led by Tara Aisha Willis and Maggie Bridger.
"Erotic Resistance" Book Talk
Erotic Resistance: The Struggle for the Soul of San Francisco Book Talk with Gigi Otálvaro-Hormillosa
February 15, from 5-6PM
Norris University Center, Armadillo Room 2-287
Sponsored by SPAN, Gender and Sexualities Studies, and Performance Studies